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Gaslight Switched Off

#MediaCrisis #PoliticalGaslighting #TrumpEra #BidenAdministration #DeepState #ElectionIntegrity #FreeSpeech #MainstreamMedia

The intricate dance between media, politics, and public perception forms the heart of James Howard Kunstler’s poignant critique, as detailed in his article “Who Turned Off The Gaslight?” Kunstler, through a narrative that folds in elements from various domains of American life, investigates the psychological and societal turmoil that ensues when a nation’s information conduits are polluted with dishonesty. His analysis, infused with references to both historical and contemporary events, posits that the United States stands at a unique inflection point, where the collective realization of long-term media manipulation is finally coming to light, particularly in light of recent political developments.

Kunstler’s argument pivots on the notion that the mainstream media, over the past decade, has played a crucial role in distorting the American consensus on reality. This is accomplished, he suggests, through a consistent pattern of deceptive reporting and narrative control aimed at bolstering the Democratic Party and undermining its opponents. The narrative crafted by the media, Kunstler asserts, served not only as a shelter for the party’s agenda but also as a weapon used against those who dare to challenge the status quo. This distortion of reality, according to Kunstler, has propelled society towards a state of cognitive dissonance, where the blatant disregard for truth has become both a strategy and a shelter for those in power.

The psychological ramifications of this sustained campaign of misinformation are profound, Kunstler argues. By drawing parallels with The Emperor’s New Clothes, he suggests that the media, in collusion with certain political factions, has created an environment where questioning the manufactured consensus is not only discouraged but vilified. This orchestrated illusion of unanimity and truth, however, is beginning to crack under the weight of its own contradictions, especially in the aftermath of the controversial 2020 election and the subsequent handling of the Biden administration’s portrayal. Kunstler notes that the media’s persistent defense and obfuscation of President Biden’s competency and the Democratic Party’s policies are becoming increasingly untenable, leading to an overdue reckoning.

The article ends on a prescient note, with Kunstler cautioning against the potential for further societal fracture and disillusionment. The awakening to the media’s gaslighting, while a necessary step towards truth, carries with it the danger of engendering a deep-seated mistrust in the nation’s foundational institutions. This mistrust, once rooted, could lead to unpredictable and potentially disastrous consequences, both domestically and on the international stage, especially in regards to foreign policy decisions like those involving Ukraine and Russia. Kunstler’s analysis, fraught with dire warnings, serves as both a critique and a clarion call for a return to principled journalism and political integrity, suggesting that the path forward lies in acknowledging and addressing the depths of the deception that has been perpetrated.

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